Restless (still I)
Ink on paper
29.7cm x 21cm
2016
'Restless' is composed of 94 drawings showcasing the movement of the plant 'Mimosa Pudica' which closes upon the sense of touch as a defense mechanism. The drawings were compiled into a flip book and made into an animation which can be viewed at the link below.
29.7cm x 21cm
2016
'Restless' is composed of 94 drawings showcasing the movement of the plant 'Mimosa Pudica' which closes upon the sense of touch as a defense mechanism. The drawings were compiled into a flip book and made into an animation which can be viewed at the link below.
Restless (still II)
Ink on paper
29.7cm x 21cm
2016
'Restless' is composed of 94 drawings showcasing the movement of the plant 'Mimosa Pudica' which closes upon the sense of touch as a defense mechanism. The drawings were compiled into a flip book and made into an animation which can be viewed at the link below.
29.7cm x 21cm
2016
'Restless' is composed of 94 drawings showcasing the movement of the plant 'Mimosa Pudica' which closes upon the sense of touch as a defense mechanism. The drawings were compiled into a flip book and made into an animation which can be viewed at the link below.
Constituency
Ink on Rives
70cm x 52cm
2016
The work showcases a mixed breed of two plants (the mimosa pudica and the pitcher plant) that demonstrate contrasting thigmonastic responses, culminating in the creation of the short lived saracennia flower in an environment resistant to diversity.
70cm x 52cm
2016
The work showcases a mixed breed of two plants (the mimosa pudica and the pitcher plant) that demonstrate contrasting thigmonastic responses, culminating in the creation of the short lived saracennia flower in an environment resistant to diversity.
Untitled
Live performance by 'Sail Into Night' (Image courtesy Grey Noise, Dubai)
Electric guitar, harmonium, vocals
2016
A still image from a live performance piece for the exhibition 'but even if I cannot see the sun' at Grey Noise, Dubai. Participated as 'Sail Into Night'. The performance can be heard at the link below.
Electric guitar, harmonium, vocals
2016
A still image from a live performance piece for the exhibition 'but even if I cannot see the sun' at Grey Noise, Dubai. Participated as 'Sail Into Night'. The performance can be heard at the link below.
Untitled
Live performance by 'Sail Into Night' (Image courtesy Grey Noise, Dubai)
Electric guitar, harmonium, vocals
2016
A still image from a live performance piece for the exhibition 'but even if I cannot see the sun' at Grey Noise, Dubai. Participated as 'Sail Into Night'. The performance can be heard at the link below.
Electric guitar, harmonium, vocals
2016
A still image from a live performance piece for the exhibition 'but even if I cannot see the sun' at Grey Noise, Dubai. Participated as 'Sail Into Night'. The performance can be heard at the link below.
The Dawn on Her Temples Was Stained Red
Acrylic on Arches
111cm x 74.5cm
2012
In this series which was made in response to the war on terror, Mahmood constructs items of jewellery and objects that constitute a bride's dowry in Pakistan. The gems have been replaced with pomegranate seeds and pieces of shrapnel, transforming these symbols of procreation into one of an ill fated dowry laden with tragedy. The mourning bride is a metaphor for the artist's grieving homeland.
111cm x 74.5cm
2012
In this series which was made in response to the war on terror, Mahmood constructs items of jewellery and objects that constitute a bride's dowry in Pakistan. The gems have been replaced with pomegranate seeds and pieces of shrapnel, transforming these symbols of procreation into one of an ill fated dowry laden with tragedy. The mourning bride is a metaphor for the artist's grieving homeland.
They Bound Her Melody with Woe
Acrylic on Arches
54.2cm x 106cm
2012
In this series which was made in response to the war on terror, Mahmood constructs items of jewellery and objects that constitute a bride's dowry in Pakistan. The gems have been replaced with pomegranate seeds and pieces of shrapnel, transforming these symbols of procreation into one of an ill fated dowry laden with tragedy. The mourning bride is a metaphor for the artist's grieving homeland.
54.2cm x 106cm
2012
In this series which was made in response to the war on terror, Mahmood constructs items of jewellery and objects that constitute a bride's dowry in Pakistan. The gems have been replaced with pomegranate seeds and pieces of shrapnel, transforming these symbols of procreation into one of an ill fated dowry laden with tragedy. The mourning bride is a metaphor for the artist's grieving homeland.
They Adorned Our Love With Thorns, Beloved
Acrylic on Arches
80.5cm x 97.4cm
2012
In this series which was made in response to the war on terror, Mahmood constructs items of jewellery and objects that constitute a bride's dowry in Pakistan. The gems have been replaced with pomegranate seeds and pieces of shrapnel, transforming these symbols of procreation into one of an ill fated dowry laden with tragedy. The mourning bride is a metaphor for the artist's grieving homeland.
80.5cm x 97.4cm
2012
In this series which was made in response to the war on terror, Mahmood constructs items of jewellery and objects that constitute a bride's dowry in Pakistan. The gems have been replaced with pomegranate seeds and pieces of shrapnel, transforming these symbols of procreation into one of an ill fated dowry laden with tragedy. The mourning bride is a metaphor for the artist's grieving homeland.